The feeling was returning to her body, and God, she wished it wasn't. Every inch of her ached. Slowly, head throbbing, she inched her hands under her torso and shoved. Her arms wobbled, but held. She managed to wrestle her uncooperative body into a sitting position. Nothing felt broken. How could you tell? She'd never broken anything before. Blinking, she panicked. She couldn't see! Had they blinded her? Oh, God, was she blind? She scrambled frantically about her, feeling for a wall, a switch, anything--and found cold, sticky metal. Carefully she traced her hands upwards and found a stubbled plastic roof. She braced herself and pushed. It gave. Dim light filled her eyes and fresh air rushed into her nose. Oh, God, she was in the dumpster outside their apartment. They had thrown her out the window. For a shitty jewelry box they had thrown her out the window. Where was Allen? What had they done with her husband? She pushed herself up on the dumpster's edge, looking up at their window, four floors up. Shuddering, she dropped her eyes to the floor of the alley. A lumpy shape came into view as her eyes adjusted to the low light.
Tuesday, December 1, 2009
A thing
DESCRIPTION OF EXERCISE: Write the paragraph that would appear in a piece of fiction just before the discovery of a body. You might perhaps describe the character's approach to the body he will find, or the location, or both. The purpose of the exercise is to develop the technique of at once attracting the reader toward the paragraph to follow, making him want to skip ahead, and holding him on this paragraph by virtue of its interest.Without the ability to write such foreplay paragraphs, one can never achieve real suspense.
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I like it but my first feeling was that the comma between "body" and "and" in the first sentence should have been between "and" and "God". But then I quit messing with grammar cause no one else cares like we do. I like the imagery and I like that I want to know what the lumpy shape is...
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